5/5 Stars
There’s something behind you! But you don’t know where because you’re blindfolded, in a dark room and only have a post-it note for a weapon!
Relax. It’s already eaten your brain.
Monsters is the sort of horror film I like. Where you see so little of the creatures that you forget what they look like and suffer an embarrassing moment trying to remember their names.
The monsters are there, make no mistake, but you’ve no idea where. They loom over the entire plot like the huge walking octopuses they are, but they’re so big, they’ve fused with part of the background and, for most of the film, stay there.
That sounds like a criticism. It’s not. Horror movies should never be about the creature under the bed. They should focus on the quivering child, too scared to sleep. It’s humans that make a horror movie scary. If there’s no one to die, no one to loose everything they have, where’s the drama?
The real piece de la resistance, though, are the two protagonists; Andrew Kaulder, a photographer, and Sam Wynden, the daughter of Andrew’s boss. They fight to get home, travelling through territory ‘infected’ by walking octopuses. Scoot McNairy, who played Andrew and Whitney Able, depicting Sam, acted their socks off, aided by incredible dialogue. Often it’s what they don’t say that’s most poignant, and there are scenes where Andrew and Sam’s only reaction is to stare silently. I can only applaud whoever was brave enough to allow long minutes to pass without a single word. That says something of the actors, the script and the flawless direction.
If I had to have a criticism, it would be that the CGI is obvious. You can generally tell what’s been added in later. But it’s a small complaint and it didn’t hamper my enjoyment one iota.
I suppose, I might add, I wanted there to be…more. The ending is sudden but incredibly brilliant. It leaves you with a question, one that I want desperately to be answered but also one that I don’t think should be. Like Inception, it wants you to make up your own mind, it wants you to think.
And that is all good, if you ask me.
Sunday, 17 July 2011
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